Tuesday, February 10, 2009

Write About Someone's Hands

I have my mother’s hands. I am one of four girls, and the only one who has my mother’s hands. Except hers are a little flatter. And by that, I mean they are long and skinny like mine, with thick sturdy nails that when left can grow long and rounded, but when I grab them they feel thinner, flatter, like I could squeeze enough to feel my own hand coming through on the other side. My mother’s hands are organic. I cannot remember a time when I have seen them painted or manicured, maybe once for my sister’s wedding. I remember the wet-black ink stains that spotted her middle finger, ones that would last for weeks. She was a calligrapher and her hands were her tools. She’d grasp the quill tip pen so gently, its sharp pointed tip sticking up like a peacock feather, gracefully circling her wrist above the off-white easel-hung paper, guiding the spilling ink into form. I would sit next to her with my quill tip pen and soft grainy paper and attempt to make the letters as beautiful and dark as she did.

Her nails are in perfect proportion to her hands, kept short enough to not get in the way, but long enough to reach just over her fingers, revealing the whiteness that borders her hands like snow caps. She would use the tips of her fingers and into her nails to pluck the harp that sat in our living room. Like stroking the paper with the quill pen, she would stroke the multi-colored strings of the harp, gyrating her hand back and forth, soft tunes of Greensleeves escaping her grasp. Her voice was clear and gentle, and reminded me of the nights she would sit on my bottom bunk, her head crouching down to rub my lower back, singing just loud enough for me to hear. The harp still sits in our living room, and from time to time I will hear her through the other room, recalling the notes with her fingers and not stopping until she’s completed a song without error.

The skin of her hands is much looser now and I can see the dark veins coming through, reaching up and in towards her thin wrists. Her hands are freckled, unlike mine, just like the tops of her shoulders and front of her chest where her v-necks didn’t cover. The freckles turn darker when she squats out in the garden in summer pulling weeds from her herb garden, fluffing the mint and spreading the basil and thyme. She would hum when doing this, as if the leaves of mint were strings of her harp and the soil she’d pat, my soft little back.

4 comments:

  1. Beautiful, Libba. I could see this being a longer piece about the similarities between you and your mother's body and how that intertwines you with her or shows how different you are.

    I always look at my hands and see my mothers. Her bulging veins would move as she knited, so do mine. And when I knit, I think of her kntting as well and how that makes my hands, her hands. Her knitting hands were transferred over to me.

    Do you find yourself interested in caligraphy or playing the harp? Do you find any urge in your hands to do similar things?

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  2. i read this yesterday and the description of your mom's hands, especially the long fingers, unpolished but shapely nails has stuck with me for some reason. nicely done.

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  3. I really like how much I learned about your mother from this focus on just one part of her. And I also feel like I got a sense of your relationship with her. I'd love for this to be longer and more developed.

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  4. Libba, this is great. Your language here is beautiful, and I like the idea of your mother's hands being "organic"--I think you could explore that even further.

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